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Again, again, again . . .
Jax let go and the kid rolled into the alley, groaning in pain. With the deliberate, slow movement of a baseball player picking out a bat, Jax bent down and pulled the gun from his sock. As terrified Kevin watched helplessly, the ex-con worked the slide of the automatic to chamber a round then wrapped his do-rag around the barrel a number of times. This was, Jax had learned from DeLisle Marshall on S block, one of the best, and cheapest, ways to muffle the sound of a gunshot.
Chapter Eighteen
That evening, 7:30 P.M., Thompson Boyd had just finished painting a cartoon bear on the wall of Lucy's room. He stepped back and glanced at his work. He'd done what the book had told him to do and, sure enough, it looked pretty much like a bear. It was the first picture in his life he'd ever painted, outside of school--which is why he'd worked so hard studying the book in his safe house earlier today.
The girls seemed to love it. He thought he himself should be pleased with the picture. But he wasn't sure. He stared at it for a long time, waiting to feel proud. He didn't. Oh, well. He stepped into the hallway, glanced at his cell phone. "Got a message," he said absently. He dialed. "Hey, it's Thompson. How you doing? Saw you called."
Jeanne glanced at him then returned to drying the dishes.
"No, kidding?" Thompson chuckled. For a man who didn't laugh, he thought he sounded real. Of course, he'd done the same thing that morning, in the library, laughing to put the Settle girl at ease, and that hadn't worked so well. He reminded himself not to overact. "Man, that's a bummer," he said into the dead phone. "Sure. Won't take too long, will it? Got that negotiation again tomorrow, yeah, the one we postponed . . . Gimme ten and I'll see you there."
He folded the phone closed and said to Jeanne, "Vern's over at Joey's. He's got a flat."
Vernon Harber had once existed but no longer did. Thompson had killed him some years ago. But because he'd known Vern before he died, Thompson had turned him into a fictional neighborhood buddy he saw occasionally, a sidekick. Like the dead real Vern, the live fictional one drove a Supra and had a girlfriend named Renee and told plenty of funny stories about life on the docks and at the pork store and in his neighborhood. Thompson knew a lot more about Vern and he kept the details in mind. (When you lie, he knew, lie big, ballsy and specific.) "He drove his Supra over a beer bottle."
"Is he all right?" Jeanne asked.
"He was just parking. The putz can't get the lug nuts off by himself."
Alive and dead, Vern Harber was a couch potato.
Thompson took the paintbrush and cardboard bucket to the laundry room and set them in the basin, ran water to soak the brush. He slipped on his jacket.
Jeanne asked, "Oh, could you get some two-percent on the way home?"
"Quart?"
"That's fine."
"And some roll-ups!" Lucy called.
"What flavor?"
"Grape."
"All right. Brit?"
"Cherry!" the girl said. Her memory nudged her. "Please," she added.
"Grape and cherry and milk." Pointing at each of the females, according to her order.
Thompson stepped outside and started walking in a convoluted path up and down the streets of Queens, glancing back occasionally to make sure he wasn't being followed. Breathing cold air into his lungs, exhaling it hotter and in the form of soft musical notes: the Celine Dion song from Titanic.
The killer had kept an eye on Jeanne when he'd told her he was going out. He'd noted that her concern for Vern seemed real and that she wasn't the least suspicious, despite the fact he was going to see a man she'd never met. But this was typical. Tonight, he was helping a friend. Sometimes he said he wanted to place an OTB bet. Or he was going to see the boys at Joey's for a fast one. He rotated his lies.
The lean, curly-haired brunette never asked much about where he went, or about the phoney computer salesman job he claimed he had, which required him to be away from home frequently. Never asked details about why his business was so secret he had to keep his home office door locked. She was smart and clever, two very different things, and most any other smart and clever woman would have insisted on being included more in his life. But not Jeanne Starke.
He'd met her at a lunch counter here in Astoria a few years ago after he'd gone to ground following the murder of a Newark drug dealer he'd been hired to kill. Sitting next to Jeanne at the Greek diner, he'd asked her for the ketchup and then apologized, noting that she had a broken arm and couldn't reach it. He asked if she was all right, what had happened? She'd deflected the question, though tears filled her eyes. They'd continued to talk.
Soon they were dating. The truth about the arm finally came out and one weekend Thompson paid a visit to her ex-husband. Later, Jeanne told him that a miracle had happened: Her ex had left town and wasn't even calling the girls anymore, which he'd done once a week, drunk, to rage at them about their mother.
A month later Thompson moved in with her and the children.
It was a good arrangement for Jeanne and her daughters, it seemed. Here was a man who didn't scream or take a belt to anyone, paid the rent and showed up when he said he would--why, they felt he was the greatest catch on earth. (Prison had taught Thompson a great deal about setting low bars.) A good arrangement for them, and good for a professional killer too: Someone in his line of work who has a wife or girlfriend and children is far less suspicious than a single person.
But there was another reason he was with her, more important than simple logistics and convenience. Thompson Boyd was waiting. Something had been missing from his life for a long time and he was awaiting its return. He believed that someone like Jeanne Starke, a woman without excessive demands and with low expectations, could help him find it.
