Then:
The dead girl in the shiny dress drank from yours.
For a second, the pharmacy is very quiet.
Not actually.
A child is coughing three chairs away. Someone is arguing about insurance at the counter. A printer spits out labels behind the glass.
But the sentence clears space anyway.
The girl in the shiny dress.
Lila.
The champagne.
The glass I gave to her.
I read the messages again.
Wrong car.
Wrong glass.
My phone rings.
Maybe: Michael Bennett flashes across my screen.
The attorney for the Whitaker family trust.
“Michael.”
“Emma. I was beginning to wonder if you’d disappeared.”
“Briefly.”
There is a pause.
“I asked around about the painting after we spoke.”
“And?”
“Things got a little strange.”
I sit straighter.
“What does that mean?”
“Nothing dramatic. Just more resistance than I expected. It’s a painting the family has owned for years. I asked a couple of fairly straightforward questions and suddenly everyone wanted to know why I was asking them.”
“Really.”
“Yeah, mostly I got questions back.”
I wait.
Bennett does too.