Page 56 of One Last Stop


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They kiss under the dappled sunlight of the Brighton Beach Station, strawberry ice cream on their tongues, and Jane remembers summer 1974, a month crashing with an old friend named Simone who’d moved to Virginia Beach, whose cat absolutely refused to leave them alone in bed. They kiss with August’s earbuds split between them playing Patti Smith, and Jane remembers autumn 1975, a bass player named Alice who left lipstick stains on her neck in the bathroom of CBGB. They kiss at midnight in a dark tunnel, and Jane remembers New Year’s Eve 1977, and Mina, who tattooed the vermilion bird on her shoulder.

August learns all this, but she also learns that Jane likes to be kissed every kind of way: like a secret, like a fistfight, like candy, like a house fire. She learns Jane can make her sigh and forget her own name until it all blurs together, past and present, the two of them on Manhattan balconies and in damp New Orleans barrooms and the candy aisle of a convenience store in Los Angeles. Jane’s kissed a girl in every corner of the country, and pretty soon, August feels like she has too.

For research.

It’s not like kissing is all August does—the time she spends thinking about the kisses and chasing down leads from the kisses when she’s not actually having the kisses notwithstanding. It’s been three weeks since she worked a single shift. She does have to pay rent, eventually, and so to stave off absolute bankruptcy, she finally calls Billy’s and, with some coughing and begging, convinces Lucie to put her on the schedule.

“Sweet Jesus, she lives,” Winfield says, pretending to faint dramatically over the counter when August returns to the bar.

“You literally saw me last week.” August brushes past him to clock in.

“Was that you?” Winfield asks, gathering himself back up and beginning to change the coffee filter. “Or was that some girl who looked like you but has not been bedridden for weeks like you told Lucie you were?”

“I was feeling better that day,” August says. She turns to see Winfield’s skeptical look. “What? Did you want me to get Billy’s shut down for giving mono to all the customers in tables fifteen through twenty-two?”

“Mm-hmm. Okay. Well. Speaking of. You missed the big news last week.”

“Is Jerry’s old ass finally retiring?”

“No, but he might have to now.”

August whips her head around. “What? Why?”

Winfield turns wordlessly, humming a few notes of a funeral dirge as he heads toward the kitchen and Lucie fills his place behind the bar.

She looks… rough. One of her typically flawless acrylics is broken, and her hair is falling out of its scraped-back ponytail. She shoots August a fleeting glare before setting a small jar down on the counter.

“If you’re not sick, I don’t care,” she says. She jabs a finger toward the jar. “If you are, take this. Three spoonfuls. You’ll feel better.”

August eyes the jar. “Is that—?”

“Onion and honey. Old recipe. Just take it.”

Even from three feet down the bar, it smells lethal, but August is not in a position to talk back to Lucie, so she tucks the jar into her apron and asks, “What’s going on? What’d I miss?”

Lucie sniffs, picking up a rag and descending upon a spot of syrup on the counter, and says, “Billy’s is closing.”

August, who was in the process of sliding a handful of straws into her pocket, misses and scatters them all over the floor.

“What? When? Why?”

“So many questions for someone who does not come to work,” Lucie tuts.

“I—”

“Landlord is doubling rent at the end of the year,” she says. She’s still scrubbing away at the counter like she doesn’t care, but her eyeliner is smudged and there’s a slight shake in her hands. She’s not taking this well. August feels like a dick for missing it. “Billy can’t afford it. We close in December.”

“That’s—Billy’s can’t close.” The idea of Billy’s boarded up—or worse, gone the way of so many po’boy joints and corner stores August frequented growing up in New Orleans, made over into IHOPs and overpriced boutique gyms—is sacrilege. Not here, not a place that has been open since 1976, not somewhere Jane loved too. “What if he—has he asked if the landlord will sell it to him?”

“Yeah,” Winfield says, popping up in the kitchen window, “but unless you got a hundred grand to make up the loan the bank won’t give Billy, this shit is about to become an organic juice bar in six to eight months.”

“So that’s it?” August asks. “It’s just over?”

“That is how gentrification works, yeah.” Winfield shoves a massive plate of pancakes into the window. “Lucie, these are yours. August, table sixteen looks ready to pop off, you better get in there.”

When August clocks out eight hours later, she finds herself back on the Q, looking at Jane, who’s curled up reading a book. She traded the old Watership a couple of weeks ago to some fan of first editions and is now reading a battered Judy Blume. She loves it earnestly. For a punk who knows how to fight, she seems to love everything earnestly.

“Hey, Coffee Girl,” Jane says when she sees her. “Anything new today?”

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