Page 131 of One Last Stop


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“I’m—uh—” He visibly gulps down whatever else he was going to say. “Actually, yeah, I am. Yeah. In love with you.”

“Look, I am very happy for both of you,” August says, “but we are on a clock here—”

“Right,” Annie says. She smiles. She’s a supernova.

“Right,” Wes says. Neither of them is even pretending to look at August.

“I’m gonna kiss you,” Annie says to Wes. “And then I’m gonna go serve some pancakes to some drunks, and you can tell me why later.”

“Okay,” Wes says.

They kiss. And August runs.

Times Square is streaking, blazing, burning through August’s glasses.

Like most people who live in Brooklyn, she never comes here, but it’s the nearest Q stop to the Control Center. The streets are nearly empty at one in the morning, but August still has to vault over someone slumped on the sidewalk in a Hello Kitty costume and bank hard to avoid a shuttered halal cart.

She throws herself down the subway stairs, races to the platform, and there, somehow in perfect alignment with the universe, is the Q waiting for her with doors open. She lunges onto the train as they slide shut.

Momentum carries her across the aisle, and she smacks into the opposite side of the car, startling a drunk couple so much, they nearly drop their takeout.

To her right, a voice says, “Hell of an entrance, Coffee Girl.”

And there’s Jane. Same as always: tall and smirking and the girl of August’s dreams. She’s got her jacket settled carefully onto her shoulders, her things neatly tucked away inside her backpack like it’s the first day of school. The way she might have looked stepping onto that bus to California if she’d ever made it. August chokes out a laugh and lets the movement of the train carry her into Jane’s side.

“Incredible,” Jane says as she gathers August up in her arms. “Ran all that way, and you still smell like pancakes.”

They ride through Manhattan, across the Manhattan Bridge, and into Brooklyn, where August texts Wes his cue and Wes texts back fire in the hole and a photo of security guards rushing to put out a blaze in the designated trash can.

“Okay,” August says, turning to Jane. She holds out a hand. “Once more for old time’s sake?”

Jane laces their fingers together, and they walk from one car to the next, platform after platform, like they did all those months ago when Jane dragged her through the emergency exit for the first time. August can’t even remember to be afraid.

With every car, there are fewer and fewer passengers, until they hit the very last one. It’s empty.

They’re easing past Parkside Ave., where it all started. It’s too dark to see the painted tiles or climbing ivy, but August can picture the apartment buildings and nail salons and pawn shops standing over the tracks, turned down for the night. She imagines New York ghosts unfurling from under stairs and between shelves to stand at the windows and watch Jane skate away.

“I guess I should give you this,” Jane says, pulling her phone out of her back pocket. “I don’t want to accidentally cause a paradox or something by bringing that back to the ’70s.”

“But what if I need to—” August says automatically. “Oh. Right. Yeah, of course. Obviously not.”

She takes the phone and tucks it into her pocket.

“I also, uh,” Jane says.

She hesitates before tugging her backpack off and shrugging out of her jacket. She hands that over too.

“I want you to have this.”

August stares at her. She’s looking back softly, something pulling at the dimple on the side of her mouth, exactly and nothing at all like she did that morning they met and she held out a scarf.

“I can’t—I can’t take your jacket.”

“I’m not asking you to,” Jane says, “I’m telling you. I want you to have it. And who knows? Maybe I’ll stay, and you can give it right back.”

“Fine,” August says, reaching into her bag. “But you have to take this with you.”

It’s a Polaroid, the one Niko took of them the night of Easter brunch, before August accidentally solved part of the mystery with a kiss. Inside the little square of film, Jane’s screaming with laughter, a wad of cash pinned to her chest and a crown on her head, the constant backdrop of the Q behind her. She has a red lipstick print on the side of her sharp jaw. Under her arm is August, turned away from the chaos, gazing up at Jane’s profile like she’s the only person on the planet. Her lipstick is smudged.

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