“Obviously I can. I’m choosing not to.” He takes another step toward the third canvas. “Do stop hovering. You’re breathing on my neck.”
I take a step back.
Twenty-one days. That’s all I have left.
Twenty-one days until this room is full of people holding champagne and discussing my work as if I’m not standing three feet away.
Fifteen days until installation starts.
A week until the final press images go out.
Somewhere in there, I need to decide what goes on the end wall.
The very large, very blank end wall I’ve been deliberately avoiding looking at since I walked in.
I thought showing Alistair these would make me feel better. That it would be proof.
See? I did it.
I didn’t disappear.
I didn’t leave you with an empty gallery again.
Instead, I’m watching him stare at the evidence and wondering if I’ve somehow failed in a completely new way.
Finally, he steps back and turns, but his face gives me nothing.
“Well?”
He smiles. “Spectacular.”
I look at the paintings. “Spectacular?”
“Don’t become irritating. Yes. Spectacular.”
The word settles inside me, but I don’t trust it yet.
“These hurt to look at.” He points to the couple at the dining table. “There is extraordinary loneliness in this one.”
I stay very still.
“They could touch. That’s what makes it painful. If you’d put them at opposite ends of a room, I’d understand the distance and move on. But you’ve put them within reach.”
He moves to the second. “This one is worse.”
“Worse good?”
“Yes, darling. Keep up.”
I smile despite myself.
“You’ve always understood bodies.”
“That’s a weird compliment.”
He gives me a sidelong glance. “I’m discussing your work, not propositioning you.”
“Just checking.”