Page 121 of Dark Lover

The memory was killing her. She almost expected to walk through the front doors that were facing her now and find Ian inside, arrogant, mocking and so damned cool about it all—and so hot about her. But he wasn’t inside. He was somewhere in Brooklyn, a prisoner of a terrible demon, in pain and maybe even being tortured. She’d been let go, left on a street corner. It had taken her a moment to realize where she was. A newspaper on a newsstand had told her the date—July 22, 2009. Carlisle had returned them to the present, on the day after they’d last been in the city. It was her birthday, and the man she loved—yes, loved—was in deep trouble.

Because if Carlisle didn’t literally kill him, he’d kill what was left of his soul. In the past week, Ian had been changing. The sarcasm, the indifference, was gone. The cover-up was unraveling. A real flesh-and-blood man, with a feeling heart, was slowly becoming apparent. He’d smiled once or twice. He seemed to care about little things—well, not so little things. Like evil. Like her.

He didn’t want to watch her die.

She didn’t want him to suffer for another second.

Sam had been tempted to go right to Nick at HCU. But Nick wanted the page for the agency. He’d never let her hand it over to the monk.

She’d taken a cab by physically removing the driver and stealing the vehicle, and gone right to Maclean’s place. If anyone knew where he’d hidden the page at his Loch Awe home, it was Gerard. But Gerard didn’t know—and he wasn’t lying, either. Sam had filled him in on every detail of Ian’s current predicament. Gerard was keeping a cool facade, but Sam knew he was frantic.

She followed him to the front doors, her messenger bag filled with weapons. The last time she’d been at Awe, she’d been totally focused on confronting Ian. She remained as focused on him now, but for different reasons. This time, she noticed the two tiny cameras above the front door. As he let them inside, Sam said, “Were those cameras there last year?”

“Yes,” Gerard said grimly. “His lordship believes in the highest security possible.”

The old Sam would have made a joke about the absence of attack dogs. But this was the new Sam and awareness rippled. “He’s not worried about his art getting stolen, is he?”

Gerard met her gaze, turning on the lights. “No, Ms. Rose, he’s not.”

Those cameras were to record demons. Sam had not a doubt. She glanced across the entry hall, spotting three more cameras. Like the Park Avenue town house, his country home was wired to the gills. “We’ll divide up the house as we discussed on the jet.”

He nodded at her.

She’d intended to rush off to JFK and get on the first flight for Edinburgh, but Gerard wouldn’t have it. Ian had an account with a charter jet service, and in moments, their flight had been arranged. During the seven-hour flight, she and Gerard had gone over every detail of the house’s floor plan. The first and most obvious place to look was in the safe Ian had in his master suite.

Sam now had the combination. She rushed up the stairs, having memorized the floor plan Gerard had described. But the moment she entered the master bedroom and turned on the lights, she faltered.

The sex tape had been made in that room.

She stood on the threshold, staring at the classic, old-world bed with its dark wood posters and headboard, its heavy brocade green-and-gold covers and pillows. Then she glanced up at the ceiling and saw two cameras.

She looked around. There were cameras on each side of the door, too. She stepped back into the hall. Video was everywhere. No one would be able to move in that house without being on a video record.

Sam walked back inside the bedroom. The massive bed loomed. They hadn’t made love there yet. But when they did, she’d know all about the cameras. She’d know that one day, someone from the past would come and get a tape and try to use it against them.

It wouldn’t matter. Ian needed the security those cameras afforded. His security system had to give him some small peace of mind, knowing that the likes of Carlisle were not inside his home. And she didn’t blame him. The cameras would stay.

And maybe, when the day came that they were together in that bed, the thought of being taped wouldn’t even cross her mind.

She was off topic, Sam thought grimly. Sam shifted gears. She strode past the bed and took a huge eighteenth-century painting of a Thoroughbred stallion off the wall. Then she swiftly opened the safe.

She withdrew some jeweler’s boxes and stacks of cash, mostly U.S. dollars. And then she saw the envelope.

The page was seven and a half inches tall and five inches wide. The envelope inside was eight by eleven, and Sam seized it carefully. But the moment she did, she was disappointed. Whatever was inside was hard.

A DVD in a plastic case slipped into her hand. She went still. What the hell could be on the DVD?

No, she thought, in dread. This was not the same sex tape that Hemmer had given her. She didn’t know why such a treacherous thought had even crossed her mind.

A moment later, she was watching the DVD on the computer in the den.

It wasn’t the sex tape. It was a different one. But it was of her and Ian, in that bed, their passion off the charts.

Ian had a sex tape of them—from the future. What she didn’t know was why.

HEMMER PAUSED inside his vault, staring intently at the painting facing him. He appeared calm and composed on the outside, as he usually did, but on the inside, he was furious.

Nick Forrester had destroyed the entry hall and a great deal of the valuable artwork he had hanging there. The room would be rebuilt, but the Vlaminck, the Salvador Dali, and the Tintoretti were irreplaceable.