“She’s not ready. I don’t know the shape of what she’s carrying but I know it’s heavy and I know that pushing will close the door, and I am not willing to lose what we have because I want more than what we have.”
“What if she wants more too?”
“Then she’ll get there. On her timeline. In her way.”
Marcus looks at me for a long moment. His face does something I have not seen before. Something softer, more personal than his the chart was right vindication. The face of a man who has been in love with the same person for eight years and who knows what it costs to wait and who knows what it’s worth.
“That’s very patient of you,” he says.
“I’m not patient. I’m strategic.”
“Those are the same thing when you’re in love.”
I do not confirm or deny the word love. The word is too large for a Thursday morning. The word requires more coffee than I have consumed and more sleep than I have gotten and more distance from the image of Margot above me in the dark with her hair down and her eyes focused and her hands— I am in a coffee shop. I redirect.
“How’s David?” I ask, because changing the subject is sometimes the kindest thing you can do for both people in a conversation.
“David is in Chicago for work.” He reopens the laptop. “But we’re not talking about David. We’re talking about you and the fact that you just said present in a voice that sounded like you were confessing to a crime.”
“Marcus.”
“I’m noting it for the chart.”
“You’re noting my confession for an astrological chart.”
“I’m noting relevant emotional data in a predictive framework. The methodology is sound.”
“Marcus, astrology is not a social science.”
“Astrology is sociology without the grant funding.”
Bea sets my Calloway on the counter. She has been listening. Bea is always listening. She does not comment. She wipes the counter. The slow wipe, the Bea wipe, the one that means she has opinions she is choosing not to share.
Outside, the December morning is doing what December mornings do here: existing in a state of ambient greyness that is not rain and not not-rain, a condition the Pacific Northwest maintains with the committed persistence of a region that has chosen its aesthetic and refuses to apologize.
Kim makes a sound.
The sound is small and involuntary, a sharp intake of breath, followed by a silence, followed by the sound of Kim placing both hands flat on the table with the deliberate pressure, like she’s anchoring herself to a surface because the alternative is floating away. She is staring at her laptop. Her face has an expression of disbelief.
“I finished,” she says.
The room changes.
Gerald sets down his scone. Marcus closes his laptop in a full, definitive close that communicates something more important than astrology is happening. Bea stops wiping. Miriam looks up from her book. Even the La Marzocco seems to pause, the hissing settling to a murmur, as though the machine itself has recognized the gravity of the moment.
“Finished what?” Marcus asks carefully.
“Chapter Four. I finished Chapter Four,” Kim says. Her voice has the quality of someone testing the words against the air, checking whether they hold, whether saying them aloud makes them more or less real. “The argument works. The sources support it. The footnote on Derrida is comprehensive.”
She turns the laptop around.
The footnote is visible on the screen. It occupies—and I am not exaggerating, I am a scientist, I do not exaggerate—approximately three-quarters of the page. The body text of the chapter is visible as a thin strip at the top, a narrow band of prose above a vast landscape of citation. The footnote is a monument. It has its own internal logic, its own paragraph breaks, its own sub-citations. It is, by any scholarly measure, excessive. It is also, by the same measure, extraordinary.
“That is a very long footnote,” Gerald says, leaning forward, reverent. He has written his share of long footnotes; he recognizes a kindred spirit. Gerald and Kim have this in common—the belief that the margins of a text are where the most interesting conversations happen, that the footnote is not a subsidiary of the argument but an alternate dimension of it, a parallel world where the ideas that don’t fit in the main text are not discarded but housed, sheltered, given room to breathe.
“It needed to be comprehensive,” Kim says.
Gerald tilts his head. He is reading the screen from three feet away, squinting through the reading glasses on their chain. “Does it— does the footnote itself require a footnote? Because the reference in line seven seems to open a sub-argument that could—”