Page 78 of Dragon Chaos Around

The water shut off. A pause. Then his voice, carrying through the bathroom door with the resonance of someone who had been issuing pronouncements from behind closed doors since the invention of closed doors: “My aesthetic instincts are impeccable.”

“Your aesthetic instincts are seven hundred years out of date and you default to midnight monochrome because it’s what you know. I am adding texture.” She picked up the suit jacket from the bed and held it to the light. Midnight wool—the darkest black she could source, a fabric so dense it absorbed light rather than reflecting it. The lapels carried custom silver embroidery: dragon scale motifs that she had designed to echo the pattern she had traced on his shoulders. Subtle. Visible only when the light caught the thread at the right angle. The kind of detail that most people would miss and that anyone who mattered would notice.

The bathroom door opened. Steam rolled out. Chaos emerged in a towel and the residual confidence of a predator who had never once in his life worried about how he looked and did not intend to start.

The towel was insufficient. Not in coverage—it wrapped adequately from hip to knee. Insufficient in its ability to function as a barrier between her and the body underneath, which she had become intimately familiar with over the past week and which still managed to short-circuit her higher brain functions when presented without warning in morning light. The lean lines. The breadth of his shoulders, where the faint trace of scale-shimmer lingered like a watermark. The way water tracked down his stomach and disappeared into the towel’s edge.

Focus. You’re a costume designer. You’ve dressed models, actors, and a celebrity who insisted on being sewn into a bodysuit at a convention in Phoenix. This is a fitting. Treat it as a fitting.

“Arms up.” She grabbed the dress shirt from the bed—black, fitted, custom-tailored to measurements she had taken herself during a session that had started professional and ended with both of them forty minutes behind schedule. “Shirt first. Then trousers. Then the jacket. Don’t touch the jacket until I say.”

“You’re issuing a great many instructions for someone who isn’t wearing clothes.” His gaze tracked down her body—the lace bra, the matching underwear (midnight blue, because she coordinated even the layers no one would see), the exposed hip where the claiming mark pulsed its faint iridescent light in the morning sun.

“I am wearing undergarments. The gown goes on last. After your fitting. After my hair. After my makeup. The gown is the final piece and it goes on clean and pressed and without a single wrinkle from premature contact. This is the process.”

“The process.” He was standing very close. The steam from the bathroom had followed him out and the penthouse air carried moisture and heat and the specific scent of his skin—clean, faintly metallic, running three degrees above the room’s temperature the way it always did. His eyes were silver. Steady. The gaze of a man who was listening to costume-fitting instructions and calculating precisely how many of them he intended to follow.

She put the shirt on him. Buttoned it from the bottom. Her fingers moved up his torso, each button a small negotiation between the fabric and the body beneath—the body that radiated heat through the cotton like a space heater wrapped in very expensive tailoring. He watched her hands. She watched his watching.

“The collar,” she said. Her voice had gone slightly thinner than intended. “The threading on the collar needs to sit flush with the seam. If it bunches⁠—”

He kissed her.

Not the devastating, world-ending kisses of the rooftop or the archive. A morning kiss. His mouth on hers, unhurried, tasting like toothpaste and the particular warmth that was uniquely his. His hands settled on her hips—one palm flat against the claiming mark, which pulsed under his touch in a response so immediate she wondered if the mark had been waiting for him the way her body always seemed to be waiting for him.

She kissed him back. For four seconds. Five. Then she pulled away, because the gown was hanging on the closet door and the Ball was in ten hours and if she did not enforce a schedule, the schedule would die a quiet death in a penthouse bedroom and the Villains’ Ball would have a very well-dressed convention director who was very, very late.

“No.” She pressed a finger to his mouth. “We’re not doing this now.”

“We appear to be doing this now.”

“We are FITTING. The doing-this happens after the fitting. After the hair. After the makeup. After the Ball, which I have spent three months planning and which I refuse to be late to because the Dragon King cannot keep his hands to himself during a collar adjustment.”

His mouth curved beneath her finger. Not the contained almost-smile she had spent weeks decoding. A real smile. Open. Unhurried. The smile of a man who was happy and had stopped fighting the expression.

That. That smile. That’s the reason I’m going to lose this argument.

She removed her finger. Stepped back. Picked up the trousers. “Leg in. Left first.”

“The specificity of your instructions⁠—”

“Left. First.”

He stepped into the trousers. Left first. She pulled them up, fastened the clasp, adjusted the break over his bare feet. The tailoring was precise—she had worked with Chaos’s usual tailor to get the measurements, then adjusted the cut herself to accommodate the way his body carried heat. Standard wool trapped too much warmth against dragon skin. She had specified a breathable weave with moisture-wicking lining that would keep the fabric from clinging during a long evening in a crowded venue. The tailor had been confused. The tailor had also been paid extremely well and had stopped asking questions.

She circled him. Checked the drape. Tugged the shirt hem where it met the waistband. Straightened the seam at his left hip. Her hands moved with the focus of a craftsman assessing a build—the same focus she brought to armor construction and competition cosplay and every piece of wearable art she had ever created. He was her canvas tonight. The villain king, dressed by the woman who built villains for a living.

“Jacket,” she announced.

She held it open. He turned. Slid his arms in. The midnight wool settled across his shoulders and the dragon-scale embroidery caught the morning light and⁠—

She stepped back. The full picture assembled: the fitted black shirt beneath the jacket, the midnight trousers, the threading visible at the lapels and collar, the way the dark fabric absorbed the light around him and made his hair glow brighter by contrast. He looked like the villain who owned the final act. The antagonist you rooted for. The monster the story was secretly about.

“Oh,” she said.

He turned to face her. Caught her expression—whatever it was, admiration compounded with creative pride compounded with the specific ache of looking at the person you loved wearing something you built and watching the work fulfill its design purpose. He read all of it. His eyes shifted a shade warmer—not gold, not the dragon rising, but the amber that lived between silver and gold where the man and the predator overlapped.

“Oh?”