Page 14 of Merciless Daddy

And—it turns out—it had not given me her. Not really.

Halfway across the room, a waiter’s tray had come apart. I heard it before I saw it—the porcelain crash, the sharp turn of heads, the little vacuum a mistake makes in a crowded room. The waiter was young, twenty at most, and he stood over the wreckage with his hands open and his face already gone the color of the tablecloths. A thick-necked man in a gray suit—Lev’s floor captain, I’d watched him on the feed for a week, watched how the staff moved around him like water around a rock—was already crossing toward the boy with his shoulders set.

He never got there.

Yelena Sokolova came out of the crowd like a knife finding a seam. She moved through a room full of noise and broken porcelain at the exact pace of a woman who had decided there was no need to rush. She put herself between the boy and the captain—not obviously, not squared up, just there, angled so the captain would have to walk through her to reach him—and then she was directing. A hand on the boy’s shoulder, turning him toward the kitchen. Two fingers to a passing busboy, who changed course like a tug obeying a harbor pilot. A word to the nearest table, and the diners laughed, and the vacuum filled back in with music and conversation, and the whole event was over before it had finished happening.

I had watched her do this on a screen. Forty minutes of grainy footage, a wine glass swept off a table, my cousin’s rage redirected like traffic.

I’d watched her do it, seen her on the screen, but there was so much more to see.

The images hadn’t captured the line of her throat when she lifted her chin—long, pale, bare above dark silk, the kind of line a sculptor would ruin his hands trying to earn. It hadn’t captured how the pale eyes actually worked in a living face: not cold, that was the lazy read, but lit, moving, cataloging the room in sweeps while the rest of her stayed composed enough to fool everyone who wasn’t watching her eyes. It hadn’t captured the stillness. She looked motionless the way a gyroscope looks motionless—perfectly steady because every part of her was working.

Heat went through me. Low, sudden, unreasonable. I am thirty-one years old and I have negotiated with murderers in eight countries and I stood in the middle of a Brooklyn restaurant feeling my pulse in my throat over the way a woman handled a dropped tray. Something I had packed in ice thirteen years ago shifted its weight, and I felt the ice complain.

Facts, Serafina had said. Not chivalry.

The captain said something to her. She answered without looking at him—three words, maybe four—and he stopped, and reconsidered his entire evening, and went back to his post by the bar. She crouched, unhurried, and set the last unbroken glass upright on the tray herself. A small thing. A boss’s thing.

Then she looked up and caught me watching.

Across forty feet of noise and gold light, her eyes found mine and stopped. She did not smile. She did not perform surprise, or modesty, or the little social flinch a woman gives a stranger’s stare. She did not look away. She simply looked back—a long, level, assessing look, the kind I give manifests when a number is wrong—and I felt it land on my skin like a hand.

She knew exactly who I was.

Pietro’s shoulder brushed mine. “Sal.”

I broke the look first. I would think about that later, at length, in the dark, and no doubt it would bother me.

The tall guard led us along the edge of the dining room, past the samovars, past the murals where the firebird burned forever out of reach of the painted hands grabbing at her tail, to a paneled door at the back. It opened onto a private room—one long table, dark wood, and at the head of it a man built like the name he carried.

Lev Sokolov did not stand. He sat with his hands folded on the cloth, iron-gray, heavy, old ink showing at his knuckles below very good tailoring, and he looked me over the way a customs officer looks over a container he already intends to open.

“Don Arturo’s watchdog,” he said. His accent was thick and unhurried and entirely unapologetic. “I’m sorry to hear about your loss. You’re still here? Not going back to Sicily?”

Pietro went very still behind me. I inclined my head the precise degree the insult had earned and not one degree more.

“Something in Brooklyn smells rotten,” I said. “And it’s drifting toward my family’s door.”

For a moment the old lion just looked at me. Then something moved behind the pale eyes—the same pale eyes, I realized, that had just held mine across the dining room, passed father to daughter like a loaded weapon—and he gestured at the chair across the table.

“Sit, Sicilian,” he said. “We will see what your nose is worth.”

I took the seat Lev had indicated. Pietro did not sit—he took up station behind my right shoulder, hands folded, and became furniture with a pulse. Two Sokolov captains did the same at the doors.

Then the side door opened and Yelena Sokolova came in..

Dark silk. Diamonds at her throat that I now understood were not jewelry but branding—her father’s mark on his most valuable container. She carried a slim leather folder and she did not look at me as she took the chair at Lev’s right hand, directly across from mine, and the not-looking was so precise it qualified as a form of address.

She was close enough now that I caught her perfume under the candle smoke. Something cool. Something with iron in it. I felt it in the roof of my mouth.

“My daughter,” Lev said, the way a man says my Rolex. “She keeps the papers.”

“An honor,” I said, to her.

“A pleasure,” she said, to the tablecloth, in a voice like the first ice on a harbor.

Lev folded his hands. “So. The Sicilian comes to Brooklyn about vegetables.” The pale eyes didn’t blink. “Speak.”