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The Wrong Exit Strategy

Page 17

by Laura Ashley Gallagher

“I just worry,” Dad continues, “that somewhere along the way, in all of it—our stuff, the family stuff—you lost your voice.”

I hate how accurate that is.

I hate that he can see it and name it in thirty seconds on a bathroom floor when I’ve spent years convinced I was fine.

I hate that I walked straight from one dynamic into another and called it a fresh start.

I look down at my hands. They’re still for the first time all morning.

“When I met Ezra,” I say slowly, not sure where I’m going with this, “I wanted it to be different. The family we’d make. I love you all. You know I do. But I didn’t want to be waiting for the next hard thing. I wanted something that felt—”

Quiet. Predictable. Safe.

I don’t say any of that.

“—settled,” I finish.

Dad nods but doesn’t offer a response.

I take a long breath in through my nose and look at him.

“I should get dressed,” I say.

Something moves across his face. He covers it quickly, but I see it. Twenty-eight years of watching this face means I see all of it.

“You’re sure?” he asks.

“I’m sure, Dad.” I nod once. “It’s the right thing to do.”

His mouth does something that’s not quite a smile.

We both push ourselves up off the floor, and he extends a hand to help me for the last bit. For a moment we stand in the bathroom together, his hand holding mine. I think about howthis might be one of the last times I’ll be his Piper without also being Ezra’s wife. The thought comes, and I let it pass because I don’t have anywhere useful to put it.

I roll my shoulders back.

Then I push my mouth upward, into the right shape, into the shape that tells everyone what they came here to see.

I take a breath in and let it out. “Time to get married.”

Dad’s face does the thing again.

I turn toward the door before I have to look at it any longer.

Eight

Griffin

The church is beautiful.

I say this as someone who has spent the last six months analyzing structural load calculations and debating concrete strength, so my sense of beauty has become somewhat clinical. Still, I can admit this place is something—high vaulted ceilings and stained glass that transforms afternoon light into art.

It’s… a lot. If someone told me this was Madison’s wedding, I’d say, “Sure. It feels like her.” But nothing here feels like Piper.

I slide into the pew beside Noah just as the ceremony is supposed to start.

“Don’t you look handsome today,” I tease, nudging him.

He squeezes my thigh. “Aw, you can kiss me later. Weddings always bring out my romantic side.”