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Of note: A Caribbean Mystery introduces the wealthy (and difficult) Mr Jason Rafiel, who will call upon Miss Marple for help in Nemesis (1971)—after his death.
Observer: ‘Liveliness…infectious zest…as good as anything Mrs Christie has done.’
The New York Times: ‘Throws off the false clues and misleading events as only a master of the art can do.’
11. At Bertram’s Hotel (1965)
When Jane Marple comes up from the country for a holiday in London, she finds what she’s looking for at Bertram’s: a restored London hotel with traditional decor, impeccable service—and an unmistakable atmosphere of danger behind the highly polished veneer. Yet not even Miss Marple can foresee the violent chain of events set in motion when an eccentric guest makes his way to the airport on the wrong day…
Of note: Bertram’s was inspired by Brown’s Hotel in London, where the author was a frequent visitor.
Saturday Review of Literature: ‘One of the author’s very best productions, with splendid pace, bright lines.’
The New York Times: ‘A joy to read from beginning to end, especially in its acute sensitivity to the contrasts between this era and that of Miss Marple’s youth.’
The New Yorker: ‘Mrs Christie’s pearly talent for dealing with all the words and pomps that go with murder English-style shimmers steadily in this tale of the noisy woe that shatters the extremely expensive peace of Bertram’s famously old-fashioned hotel.’
12. Nemesis (1971)
Even the unflappable Miss Marple is astounded as she reads the letter addressed to her on instructions from the recently deceased tycoon Mr Jason Rafiel, whom she had met on holiday in the West Indies (A Caribbean Mystery). Recognising in her a natural flair for justice and a genius for crime-solving, Mr Rafiel has bequeathed to Miss Marple a £20,000 legacy—and a legacy of an entirely different sort. For he has asked Miss Marple to investigate…his own murder. The only problem is, Mr Rafiel has failed to name a suspect or suspects. And, whoever they are, they will certainly be determined to thwart Miss Marple’s inquiries—no matter what it will take to stop her.
Of note: Nemesis is the last Jane Marple mystery that Agatha Christie wrote—though not the last Marple published.
Best Sellers: ‘The old charm is still there and a good deal of the old magic in plotting, too.’
Times Literary Supplement: ‘Miss Marple is an old lady now, knowing that a scent for evil is still, in the evening of her days, her peculiar gift.’
13. Sleeping Murder (1976)
Soon after Gwenda Reed moves into her new home, odd things start to happen. Despite her best efforts to modernise the house, she only succeeds in dredging up its past. Worse, she feels an irrational sense of terror every time she climbs the stairs…In fear, Gwenda turns to Jane Marple to exorcise her ghosts. Between them, they are to solve a ‘perfect’ crime committed many years before…
Of note: Agatha Christie wrote Sleeping Murder during World War II and had it placed in a bank vault for over thirty years.
Chicago Tribune: ‘Agatha Christie saved the best for last.’
Sunday Express: ‘A puzzle that is tortuous, surprising, and…satisfying.’
14. Miss Marple’s Final Cases (1979)
Despite the title, the stories collected here recount cases from the middle of Miss. Marple’s career. They are: ‘Sanctuary’; ‘Strange Jest’; ‘Tape-Measure Murder’; ‘The Case of the Caretaker’; ‘The Case of the Perfect Maid’; ‘Miss Marple Tells a Story’; ‘The Dressmaker’s Doll’; ‘In a Glass Darkly’; ‘Greenshaw’s Folly.’
The Republican (Springfield, Massachusetts): ‘When it all becomes clear as day, the reader can only say, “Now why didn’t I think of that?” But he never does. Mrs Christie at her best.’
Charles Osborne on Miss Marple’s Final Cases
Miss Marple Short Stories (1979)
Miss Marple’s Final Cases and two other stories was published in the UK only, for the stories were already available in other volumes published in the USA. Two of the stories, ‘The Dressmaker’s Doll’ and ‘Sanctuary’, are to be found in Double Sin (1961: see p. 301); four stories, ‘Strange Jest’, ‘Tape Measure Murder’, ‘The Case of the Perfect Maid’ and ‘The Case of the Caretaker’, are from Three Blind Mice (1950: see p. 237); and the remaining two stories, ‘Miss Marple Tells a Story’ and ‘In a Glass Darkly’, come from The Regatta Mystery (1939: see p. 175).
Of the eight stories, two (‘The Dressmaker’s Doll’ and ‘In a Glass Darkly’) are not Miss Marple adventures. The remaining six ought not really to have been called Miss Marple’s Final Cases, for they are examples of that redoubtable lady in mid-career. The publisher’s justification for putting together a collection of them was that, although they had appeared in magazines in the past, the stories were being published in volume form for the first time in Great Britain. A statement to this effect appeared in the ‘blurb’ on the inside of the front jacket. It is, however, slightly inaccurate, for ‘Tape-Measure Murder’ had found its way into Thirteen for Luck, ‘a selection of mystery stories for young readers’ which Collins had published in 1966.
Problem at Pollensa Bay
About Charles Osborne
This essay was adapted from Charles Osborne’s The Life and Crimes of Agatha Christie: A Biographical Companion to the Works of Agatha Christie (1982, rev. 1999). Mr. Osborne was born in Brisbane in 1927. He is known internationally as an authority on opera, and has written a number of books on musical and literary subjects, among them The Complete Operas of Verdi (1969); Wagner and His World (1977); and W.H. Auden: The Life of a Poet (1980). An addict of crime fiction and the world’s leading authority on Agatha Christie, Charles Osborne adapted the Christie plays Black Coffee (Poirot); Spider’s Web; and The Unexpected Guest into novels. He lives in London.
About Agatha Christie
Agatha Christie is known throughout the world as the Queen of Crime. Her books have sold over a billion copies in English and another billion in 100 foreign languages. She is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Mrs Christie is the author of eighty crime novels and short story collections, nineteen plays, and six novels written under the name of Mary Westmacott.
Agatha Christie’s first novel, The Mysterious Affair at Styles, was written towards the end of World War I (during which she served in the Voluntary Aid Detachments). In it she created Hercule Poirot, the little Belgian investigator who was destined to become the most popular detective in crime fiction since Sherlock Holmes. After having been rejected by a number of houses, The Mysterious Affair at Styles was eventually published by The Bodley Head in 1920.
In 1926, now averaging a book a year, Agatha Christie wrote her masterpiece. The Murder of Roger Ackroyd was the first of her books to be published by William Collins and marked the begin
ning of an author-publisher relationship that lasted for fifty years and produced over seventy books. The Murder of Roger Ackroyd was also the first of Agatha Christie’s works to be dramatised—as Alibi—and to have a successful run in London’s West End. The Mousetrap, her most famous play, opened in 1952 and runs to this day at St Martin’s Theatre in the West End; it is the longest-running play in history.
Agatha Christie was made a Dame in 1971. She died in 1976, since when a number of her books have been published: the bestselling novel Sleeping Murder appeared in 1976, followed by An Autobiography and the short story collections Miss Marple’s Final Cases; Problem at Pollensa Bay; and While the Light Lasts. In 1998, Black Coffee was the first of her plays to be novelised by Charles Osborne, Mrs Christie’s biographer.
