The Seekers of Deer Creek
Aside from the fact they are sisters, Vivi and Calla Nguy?n have little in common.
Vivi, the eldest, lives an orderly and predictable life. She works as an art conservator at a museum in Chicago, carefully preserving pieces of the past, all the while refusing to examine her own dark history.
Calla leads a much bolder, if occasionally reckless, existence. She’s an accomplished artist with a flair for the dramatic, charming and intriguing everyone she meets. She’s also a recovering addict, constantly causing Vivi to worry.
Months after the two fall out in the wake of their father’s death, Calla appears on the steps of the museum with a sketch and a letter she found in their father’s belongings. The sketch is an exact copy of Blue Mirror, a striking painting by a Vietnamese painter named K.P. Lý. In the letter, Lý writes about a mysterious lost work of art. Calla is convinced it is meant for their family, and that it was their father’s deathbed wish for her and Vivi to find it together. Intrigued yet reluctant to follow her capricious sister, Vivi must decide whether she’s willing to face or shut the door to the past.
From the ghostly Wisconsin woods to a glittering estate in the French countryside to a sprawling ancestral home teetering on the edge of a ravine in Vi?t Nam, The Seekers of Deer Creek is a story of sisters, art, and the irresistible gravity of the past—how it endures across time and generations, always present even when buried
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